Tech

This Comic Kills Technofascists

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Based on a feed excerpt; full article content has not been acquired. Source evidence retrieved 15/11/2026, 13:13:23 UTC.

Briefings

Dave Maass, a journalist who teaches tech investigative techniques and researches surveillance at the Electronic Frontier Foundation, created the comic series Exploit. Published by Mad Cave Studios in 2026, the series features a journalist intern named Kirby Kuo who investigates a cyberlibertarian technofascist takeover of a WIRED-style magazine. The comic highlights the dangers of handling leaked data and critiques the collapse of independent print journalism, inspired by real events from publications like 404 Media and WIRED. Maass and co-creator Laura Hudson began working on the project in 2019 after observing the decline of print media.

Key points

• Dave Maass, who teaches tech investigative techniques at the University of Nevada, Reno and researches surveillance at the Electronic Frontier Foundation, co-created the comic series Exploit with Laura Hudson.
• The series features a journalist intern named Kirby Kuo who investigates a cyberlibertarian technofascist takeover of a WIRED-style magazine, exploring the perils of handling leaked data.

Context

Dave Maass, a journalist who teaches tech investigative techniques at the University of Nevada, Reno and researches surveillance at the Electronic Frontier Foundation, co-created the comic series Exploit with Laura Hudson. The series features a journalist intern named Kirby Kuo who investigates a cyberlibertarian technofascist takeover of a WIRED-style magazine, exploring the perils of handling leaked data. Maass and Hudson began working on the project in 2019 after observing the decline of print media.

Limitations

The comic series Exploit was published by Mad Cave Studios in 2026 in its collected trade paperback volume. The narrative focuses on a journalist intern investigating a cyberlibertarian technofascist takeover of a WIRED-style magazine, exploring the perils of handling leaked data. The story draws on real events from publications like 404 Media and WIRED but does not specify the exact dates of the real incidents referenced.

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